Monday, March 23, 2015

A Book Review Starring "Double Exposure" by Bridget Birdsall

The short version:
Alyx was born interex. After a traumatic bullying event in her native Walnut Grove, California prompts she and her mother to relocate to her mother's hometown of Milwaukee, Wisconsin Alyx aksi makes the decision that she identifies as a girl despite her parents' decision to raise her as a boy and allowing her to choose later. Knowing she can't undergo surgery that would allow her to fully identify as a girl for two years, Alyx changes her last name at her new school and is off to a new start despite feelings of PTSD from the bullying. When she joins the basketball team jealousy from a teammate threatens to unravel all that she's started to build.

The long version:
The book had its strengths and weaknesses.

Strengths: the essential plotting of the story was well-constructed, the technical writing was efficient and descriptive and resulted in an easy to read story that moved quickly and kept the reader involved. The plot points became fraught with tension with the implication that at many points in the story her history would be revealed. The PTSD from the bullying event was effectively woven through the story which served to additionally heighten the tension.

Alyx's family's response from her grandfather, uncle and mother, to her change in gender identity was heartfelt and believable and complex and the majority of the secondary characters were refreshing in their humanity.

Weaknesses: I couldn't help getting tripped up in Alyx's character development. Here was a character who had lived her first fifteen years as a boy, however uncomfortably, yet her transition to living as a girl was in some ways surprisingly easy. There was no implication she'd been preparing for it in any way during childhood. She could identify other girls' cup sizes in the locker room, she had no issues with adapting to make-up and dressing as a girl (despite some small insecurities if she's passing), she adapted to social situations with relative (not total) ease. There was a complexity to the minutia of her transition that was somewhat glossed over or went unaddressed, in my opinion.

For all the nicely realized secondary characters, Alyx's nemesis is a bit too evil (and thus one dimensional) for my liking, especially within the context of so many other secondary characters who were not. It seemed like an easy device to make Pepper evil with a stunted character arc and a dissatisfying resolution in the end. Trying not to reveal too much, the later plot points that threaten Alyx's future seemed more nuanced (with again sympathetic, humane secondary characters) than Pepper.

I also wished the author didn't feel it necessary to throw in details that were more interesting to her but seemed incongruous and distracting to the plot. Trying to throw in facts about Wisconsin Governor Walker breaking up unions or Alyx repeating factual information about intersex teens she learned from her doctor, for example, not essential in my opinion.

With the lack of young adult fiction featuring intersex characters (though it's nice to see the numbers growing), this was the first I read thus far that provided an engaging story and characters. The basketball subplot and sports detail (which I think can be hard to write and incorporate into narrative) was evenly woven into Alyx's story in a balanced way that was both easy to read and didn't create two disparate plots.

In the end, an enjoyable and engaging read that broaches a tough subject matter with ease and sensitivity.

Saturday, March 21, 2015

Displays For The Reluctant Librarian: Upcoming Movies Based on Young Adult Novels

I work in a very large library system.

We have well over fifty branches, all of which we are fortunate enough to have a position for a Young Adult Librarian. We're very lucky. Not every library system has a designated Young Adult Librarian, much less at every branch. But like many library systems not every librarian feels a strong vocation for their assigned audience. Some are older, don't relate a ton to teens and teen literature and that's alright.

When presenting program ideas to my fellow Young Adult Librarians recently I tried to pitch program ideas related to my specific theme with this target audience of Reluctant Librarians in mind. I stressed the easy aspect. Easy to learn, easy to program, easy to demonstrate to kids and teens. Easy.

Which then got me to thinking about other easy displays and programs for the Reluctant Librarian. Thus my new label.

In today's first installment of displays and programs for the Reluctant Librarian I present: Upcoming Movies Based on Young Adult Novels.

We are so lucky that with the success of young adult novel-to-film adaptations we have an ongoing list of titles with which to throw up an easy display. And as we all know whenever any book-to-film adaptation nears release, whether that be children's, young adult or adult fiction, we always see an uptick in circulation of that title. At the same time, I was surprised to discover I couldn't find a resource online that listed only Young Adult novel-to-film adaptations with their release dates.

So I'm going for it.

UPCOMING YOUNG ADULT NOVELS-TO-MOVIES SPRING 2015 EDITION:
                         
Me, Earl and the Dying Girl by Jesse Andrews     
June 6

Paper Towns by John Green                                  
July 24

Fallen by Lauren Kate                                                                               
July 30  

Scorch Trials by James Dashner                                                                 
September 18

Viktor Frankenstein by Mary Shelley                                                     
(A new take on Frankenstein from Igor's perspective. And Igor is played by Harry Potter!)
October 2

Mockingjay Part 2 by Suzanne Collins                                                        
November 20

The Martian by Andy Weir
(Alex Award winner)                                                                    
November 25                    

5th Wave by Rick Yancey                                                                          
January 29

Miss Peregrine’s Home for Peculiar Children by Ransom Riggs          
March 4

Batman vs. Superman                                                   
March 25

FOR REAL (POST-PRODUCTION OR COMPLETED) BUT WITHOUT RELEASE DATES

Pride and Prejudice and Zombies by Seth Grahame-Smith
Room by Emma Donoghue (Alex Award winner)
Sold by Patricia McCormick


Monday, March 16, 2015

A Book Review Starring "We Were Here" by Matt de la Pena

The short version:
Stockton, CA native Miguel Castaneda is sentenced to live at a boys home in San Jose for an undisclosed offense. There he meets violent loner Mong who convinces him and his roommate Rondell to break out and make their way to Mexico with the promise that they will find jobs at a beach resort. Per the judge's orders Miguel keeps a journal of his experiences, which he continues of his own volition long after feeling obligated to do so.

The long version:
Turns out Miguel (and de la Pena) are really quite excellent at this journal writing thing.

The conceit of the journal as the basis for describing the unfolding events gives the story a real sense of urgency(due in no small part to de la Pena's incredibly storytelling skills). Everything rings true, including the plot developments but also how Miguel interprets and responds to other people and circumstances along the way.

de la Pena has really written a triumphant, engrossing story of what it means to be a teenage boy (with all the masculinity issues that go along with it), what it means to be a first generation Mexican-American, what it means to be mixed race. He covers all those bases with subtle, entertaining language that speaks in a voice of this particular kid. Miguel is funny, smart (but within the context of the character, as opposed to the author's voice) and yet still maintains his innocence and vulnerability and the brazenness and impulsiveness that comes with being a fifteen year old boy.

He not only has created a main character who makes you turn pages, he also creates secondary characters of equal pathos and individuality who you feel for from the start. Mong and Rondell are so wonderfully and painfully realized with such great depth of character. Your heart will break for all of them.

At the same time, de la Pena has realized a plot that could have easily gone awry but never does. A road trip in which three newly homeless, troubled kids try to make from San Jose to the border could have easily devolved into episodic plot points without necessarily evolving in intensity. Even some of the trickier plot points, of which there are a couple, are handled with authenticity and ring true instead of devices.

The book has its necessary violence and explicit language, all well in keeping with the story de la Pena tells. And the story he tells is pretty special.


A Book Review Starring "Everything Changes" by Samantha Hale

The short version:
Raven can't really figure out why she's not attracted to the guys at her school. But when she meets her best friend's older sister's college friend, Morgan, and learns she's an out lesbian she quickly discovers her attraction and embarks on her first real relationship.

The long version:
Sweet, compact, easy to read coming-out story. Well written with a straightforward plot and plain (in a good way) language that moves with ease and swiftness and clear, easy to relate to characters.

The characters might not be the most depthful, complex in the world, but Raven is written as someone who both gay and straight kids alike can relate to. Her obstacles in coming out, both internal and external, are familiar yet ring true. For example, her attraction to a college girl makes perfect sense in that a slightly older girl would have already gone through her own coming out process and feel more comfortable in a college setting in which she gets to define herself. By the end, the pathos earned through Raven's coming out to different friends and her parents is well earned based on the strength of the writing and genuinely heartfelt.

At under 200 pages and with such a straightforward and (did I say easy?) plot, this title would be a great choice to pull out for reluctant and avid readers alike, particularly girls looking for a coming-out experience to both reference and identify with.

Friday, March 6, 2015

Please, Dear Authors

Dear Authors,

I like you, and I want you to succeed, but I hate to be the one to tell you that if your novel contains any variation on the phrase:

"You don't get it, do you?"

or

"You just don't get it"

or

"You just don't get it, (insert character name here)"

that only bad things will come of it.

That phrase and all its variations are a crutch for when you don't know how to get to where you want to be. I say this because I've seen this phrase employed time and again when an author wants a character to see something and hasn't found another way to make them see it. For me, that phrase is the equivalent of flashing red sirens and is almost always indicative of other shortcomings as well.

Sincerely,
Your humble reader